Showing posts with label Failure. Show all posts
Showing posts with label Failure. Show all posts
Sunday, February 27, 2011
Sunday, December 12, 2010
Fantastic "House Advantage" Series from the NYT
Articles in the House Advantage series from The New York Times examine the ways that Wall Street banks can, and often do, gain advantages over their customers. Today’s giant banks not only create and sell investment products, but also bet on those products, and sometimes against them, putting their interests at odds with some of their customers’. The banks and their lobbyists also help fashion financial rules and regulations. And banks’ traders know what their customers are buying and selling, giving them a valuable edge.
Advantage: The Bankers Club — Helping to Write the Rules that Run the Market
A Secretive Banking Elite Rules Trade in Derivatives
By LOUISE STORY
In theory, clearinghouses exist to safeguard the integrity of the multitrillion-dollar derivatives market. In practice, they also defend big banks’ dominance.
December 12, 2010Advantage: Financial — Getting Paid on the Upside, but Not Losing on the Downside
Banks Shared Clients’ Profits, but Not Losses
By LOUISE STORY
Banks like JPMorgan Chase offer to help big investors like pension funds earn a little extra. When it works, both win. When it doesn’t, only the client loses.
October 18, 2010Advantage: Product Design — Designing Products Then Betting Against Them
Banks Bundled Bad Debt, Bet Against It and Won
By GRETCHEN MORGENSON and LOUISE STORY
Investigators are trying to determine whether banks like Goldman Sachs intentionally sold their clients especially risky mortgage-linked assets.
December 24, 2009Advantage: Price Setting — Controlling the Marks on Investments, With Self-Interest in Mind
Testy Conflict With Goldman Helped Push A.I.G. to Edge
By GRETCHEN MORGENSON and LOUISE STORY
The bank’s demands for billions of dollars from the insurer bled it of cash, which the government later provided.
February 7, 2010 Advantage: Friendly Regulators — Watching Out for the Banks
In U.S. Bailout of A.I.G., Forgiveness for Big Banks
By LOUISE STORY and GRETCHEN MORGENSON
Federal regulators ignored recommendations to force banks that did business with A.I.G. to accept losses.
June 30, 2010Advantage: Ratings Game — How Debt Watchdogs May Have Been Compromised
Rating Agencies Shared Data, and Wall St. Seized Advantage
By GRETCHEN MORGENSON and LOUISE STORY
Trying to be transparent, credit rating agencies made their computer models public, and banks used that knowledge to shape some of the investments involved in the financial crisis.
April 24, 2010 Advantage: Information — Inside Insights Help Protect Banks' Interests, but Leave Clients Behind
Clients Worried About Goldman’s Dueling Goals
By GRETCHEN MORGENSON and LOUISE STORY
The conflicts inherent in having a trading arm have created a wariness toward Goldman Sachs.
Wednesday, February 24, 2010
West End play award-winning morality tale starring Enron
Trailer from Enron: The Play
There was a warning. And its name was ENRON. One of the most infamous scandals in financial history becomes a unique theatrical event in Rupert Goolds brilliant production (Guardian). Mixing class...
There was a warning. And its name was ENRON.
One of the most infamous scandals in financial history becomes a unique theatrical event in Rupert Goolds brilliant production (Guardian). Mixing classical tragedy with savage comedy, it reviews the tumultuous 1990s and casts new light on the current financial situation. In what promises to be an outstanding evening (ES), ENRON is the exhilarating answer to a $60bn question (Times).
Are you kidding me? Did we take advantage? Thats what we do, thats how the world works. When you ask, Did you take advantage?, I hear Do you make a living?, Do you breathe in and out?, Are you a man? Yes, we took advantage. And the only difference between me and the people judging me is they werent smart enough to do what we did.
Inspired by real-life events and using music, dance and video, ENRON is directed by Headlong Theatre's Artistic Director Rupert Goold whose recent credits include the award-winning Macbeth and Six Characters in Search of an Author, King Lear, No Man's Land and Oliver!
One of the most infamous scandals in financial history becomes a unique theatrical event in Rupert Goolds brilliant production (Guardian). Mixing classical tragedy with savage comedy, it reviews the tumultuous 1990s and casts new light on the current financial situation. In what promises to be an outstanding evening (ES), ENRON is the exhilarating answer to a $60bn question (Times).
Are you kidding me? Did we take advantage? Thats what we do, thats how the world works. When you ask, Did you take advantage?, I hear Do you make a living?, Do you breathe in and out?, Are you a man? Yes, we took advantage. And the only difference between me and the people judging me is they werent smart enough to do what we did.
Inspired by real-life events and using music, dance and video, ENRON is directed by Headlong Theatre's Artistic Director Rupert Goold whose recent credits include the award-winning Macbeth and Six Characters in Search of an Author, King Lear, No Man's Land and Oliver!
Category: Entertainment
Enron: how we made a drama out of a financial crisis
Andrew Dickson, Alex Healey and Michael Taitguardian.co.uk,
Wednesday 24 February 2010
Lucy Prebble, Rupert Goold and Samuel West talk about their award-winning play Enron, now in the West End – and explain how a saga of corporate collapse became a morality tale for our times. Guardian Video Here:
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